Game of the Year 2018: 4th & 5th Place

This one was really hard to organise.

As where with pro-wrestling, it’s fairly easy for me to pick one match over another, and thus rank them quite quickly, I find it much harder to do with games. Since games have so much variety to them, almost all of my favourite games every year appeal to me in different ways which makes it much harder to just plainly rank them based on enjoyment.

Add to that the fact that I played more games in 2018 that ever before and you’ve got yourself a rather tricky task when it comes to picking out the best. That said, I’ve mulled it over for pretty much all of December and I’ve got a top 5 that I’m happy with.

Since I have a lot more to say about games than I do about wrestling matches, I’ve decided to split this up into three posts, with 4th and 5th today, 2nd and 3rd coming tomorrow and finally number 1 will be revealed the day after.

I should also mention that the only platforms I own are PC, HTC Vive and Nintendo Switch, so if a game didn’t release on any of those, then I haven’t played it and won’t be ranking it. Additionally, if a game is still in early access, then I also won’t be considering it, since I don’t think it’s fair to review an unfinished game, I will instead rank those games in the year they eventually release.

Finally, before I get started I’d like to mention the other games I loved this year, but didn’t quite crack the top five, so: Dead Cells; Two Point Hospital; Into the Breach; Super Smash Brothers Ultimate and Return of the Obra Dinn, were all great games that I had considered for this top 5 at some point.

Now, let’s get onto what did make the top five, starting with….

 5 – Moonlighter

This was a game that, despite its May release, I didn’t find this one until a couple of weeks ago. However, once I started playing it, I played it every single day until I had completed it, and boy was it a fun time.

The basic premise of the game is that you play as Will, a simple young man who runs a shop called Moonlighter, and he lives in a town that was built around a series of mysterious dungeons full of weird and wonderful artefacts and treasures.

There are two different sides to the core gameplay, the first is the dungeon crawling. This has the many rougelike elements you’ve come to expect from games such as these, with random generation of rooms and progression through “floors” of a dungeon to progress. However, in this game your goal is slightly different. In most games of this genre, such as Dead Cells or Binding of Isaac, your goal is to collect upgrades and items along the way to eventually get to a boss and kill it to beat the dungeon, but that isn’t really your goal here.

There is a boss at the end of each dungeon (more on that in a bit), none of the items you pick up along the way will actually make you stronger or better in any way, instead your goal is to collect as many of these items as you can, and then escape the dungeon to use these items in the second side to the game.

The combat really feels nice, and with a variety of different weapon classes to choose from, you really can play the game whichever way you feel best. It follows the rules which I think all roguelikes should follow: Every enemy is easily killable on its own, however if you fill a room with them in a balanced way then it’s a difficult but fair challenge to clear every single room.

The boss fights are in a similar vein, it’s a fair challenge because I know all of their attacks are easily dogable, I’m just not good enough to dodge them. It’s that kind of game design that makes me determined to keep trying over and over when I die, and not just get frustrated and give up.

That second side of the game is where you manage your shop. You put out your items you retrieved from the dungeon on display in your shop, and then during the day people will come in and buy the items from you. As simple as that sounds, the developers were very clever in the way they implemented it.

See, instead of just slapping the item out and letting people pay the price for themselves, you have to be a proper merchant and assign every item a price. Of course, people won’t just pay whatever price you put on it and you have to gauge the reactions of your customers to work out if you’re undercharging or overcharging for an item. In addition to this, an item’s popularity in the town will fluctuate depending on how much of it you’re selling, and how much you’re selling it for. If an item isn’t in very high demand people won’t pay all that much for it, however if an item is extremely popular in town, you can bump the price up a bit and no-one will mind paying the extra coins.

This side of the game has a really nice level of strategy to it, since you can use the prices of items you already know to work out what a good price for a new item would be. It also means that during the day, you’re not just sitting there waiting for the cash to roll in, you’ve got to be paying attention to your customers to work out your prices and also make sure no-one tries to steal anything…

Of course, you don’t just earn money for the sake of it, so what is there to spend that money on? The spending of money is pretty well split in this game between three things: buying better gear for your character; buying upgrades for your shop and buying new facilities for the town, which will provide services to you, such as weapon enchantments and money investments.

These kinds of games that essentially work as one big loop of tasks that all feed into each other, is one that can often get quite tiring after being done for too long, so Moonlighter gets around this by giving you an endgame goal right at the start.

The town has four main dungeons just outside it, however at the start of the game three of them are closed. In order to unlock each dungeon, you have to defeat the boss of the previous one. Every new dungeon you unlock will have tougher enemies and deadlier traps, but will also provide much more valuable treasures.

Your main goal however, is to unlock “the 5th door” which is a final dungeon which has remained locked for centuries and you want to see what’s behind it. Each of the four dungeon bosses holds a key, so you need to defeat them all, this makes sure you feel like everything you’re doing has a sense of purpose to it, and it’s that exact driving force that kept me involved in the game the whole way through.

This game comes together beautifully, with both sides to the game stopping the other one from getting too tedious, and a main quest that really drives you achieve and see everything the game has to offer. If you’re a fan of dungeon crawlers, but also want something a bit new from the genre, then this is absolutely one you should check out.

4 – Quarantine Circular

This is a much harder one to talk about.

Quarantine Circular is a game made by the wonderful Mike Bithel, who made one of my favourite ever games in Thomas Was Alone. Bithel’s games are always so masterful in how they tell their stories, and since that is what drives the entire game, it’s hard to talk about it as a reviewer, since I don’t want to spoil a moment of it.

I’m going to try my best to do it without spoiling things, but anything I do spoil will be from the first chapter only so I can illustrate some of my points.

The game tells it’s story mostly through the dialogue between characters, although there are visuals on the screen whilst it’s going on to draw you in to the feel of the world. The basics of the story is that, the world has been almost wiped out by a disease unknown to the human race, and the military has captured an alien that they suspect might be to blame.

Most games at this point would drop you right into things, with the important military people interrogating the alien to try to get information out of it. That doesn’t happen though, instead the first two chapters you play as a low ranking engineer on the military ship with the simple job of installing a translator so the alien can understand humans and vice-versa.

This is a great way to introduce the player to the world, since you spend the whole of the first two chapters playing as a character who doesn’t really have much idea of what’s going on. It allows the game to explain things to you in its dialogue without it sounding like it’s solely for the audience. It also makes sure that it doesn’t present the alien as an antagonist in the first two chapters. While you do have the option to be mean to it, the game encourages you to simply listen and learn about what this alien is like from a personality perspective, which is very important for later chapters.

In Bithel’s previous game, Subsurface Circular, which was made in a similar style to this game, you played as one person the whole time which worked really well as you were solving a mystery. However in Quarantine Circular, you play as almost every character involved in the story at some point. While this could’ve taken away from the luster and mystery a little bit, it’s written in such a way that all it really serves to do is allow you to understand each of the characters as the story progresses. In order to make some important decisions later in the story, you need to understand exactly what every single character is thinking, and this is perhaps the best way to achieve that.

Oh, and did I mention, you get all of this for less than £5?

When it comes to pure story based games, I don’t think there was anything that drew me in or left a greater impression on me looking back on it now. Bithel always seems to knock it out of the park with these games, and if we get more of these in the coming years from him I’ll be very happy.

So that’s 4th and 5th place in my game of the year rankings! If you enjoyed it then please share it around. As always, you can follow me on Twitter @10ryawoo for more impressions on games as they come out through 2019, and @magiclollyl for editing this. Lastly, make sure to come back at the same time tomorrow for my 2nd and 3rd place picks!